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Miguel Rio Branco
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Miguel Rio Branco, Blue Tango, 1984/1999 (detail)

De Tokyo Blues hacia Gritos Sordos — Centro Niemeyer, Avilés, Spain, 2024 — photo: Manuel Carranza

De Tokyo Blues hacia Gritos Sordos — Centro Niemeyer, Avilés, Spain, 2024 — photo: Manuel Carranza

33. Bienal de São Paulo — São Paulo, Brasil, 2018 — photo: Courtesy of 33. Bienal de São Paulo

Palavras cruzadas, sonhadas, rasgadas, roubadas, usadas, sangradas — Instituto Moreira Salles, São Paulo, Brasil, 2020 — photo: Renato Parada 

Nada levarei qundo morrer —  MASP, São Paulo, Brasil, 2017 

Miguel Rio Branco

About

1946, Las Palmas de Gran Canaria, Spain
Lives and works in Rio de Janeiro, Brazil

Owner of a multidisciplinary artistic practice, Miguel Rio Branco conceives works within the medium of photography, cinema, and installation. Since the 1980s he is internationally recognized for his photographic work, in which the chromatic contrast and images highlight fundamental human questions, exploring themes such as sensuality, joy, violence, decay, and death. By softening the contours of images and using mirroring and textures, his poetics comes together as a kind of collage, a living archive of captured impressions. Recurrent in the artist’s practice, his polyptychs are an exercise on the possibilities of shaping images to build endless narratives. 

Recently, Rio Branco held solo shows in France, Spain, Japan, The Netherlands, Switzerland, and in Brazil. From which stand out the survey exhibition Palavras cruzadas, sonhadas, rasgadas, roubadas, usadas, sangradas, Instituto Moreira Salles – IMS, São Paulo (2021), IMS Rio de Janeiro (2022), and Fundação Iberê Camargo, Porto Alegre, Brazil (2023); De Tokyo Blues hacia Gritos Sordos, Centro Niemeyer, Avilés, Spain (2024); Photographies 1968-1992, Le Bal, Paris, France (2020); Nada levarei qundo morrer, MASP, São Paulo, Brazil (2017); and Teoria da Cor, Pinacoteca de São Paulo, Brazil (2014). In addition, the Instituto Inhotim, in Brumadinho, Minas Gerais, maintains since 2010, a gallery dedicated to his work. 

Among his group exhibitions are noteworthy: Four Photographers, Four Places, MoMA, New York, USA (2019); 33th Bienal de São Paulo, Brazil (2018); Maison Européene de la Photographie, Paris, France (2018); Troposphere, Beijing Minsheng Art Museum, Beijing, China (2017); Os Muitos e o Um, Instituto Tomie Ohtake, São Paulo, Brazil (2016); América Latina 1963-2013, Fondation Cartier pour l’Art Contemporain, Paris, France (2013). 

His photos have been published in magazines including Aperture, Stern, Photo Magazine, Europeo, Paseante, and National Geographic. Miguel Rio Branco’s work is part of several institutional collections, among them: MoMA, USA; MAM Rio de Janeiro, Brazil; MAM São Paulo, Brazil; MASP, Brazil; Centre Georges Pompidou, France; San Francisco Museum of Modern Art, USA; Stedelijk Museum, Netherlands; Museum of Photographic Arts of San Diego, USA; and Metropolitan Museum of Art, USA. 

Works
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Blue Tango
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Fuji
2007/08
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Rolimã
2016
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Sombras barrocas de Havana
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Thunder dog
1998-2019
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Sorriso metálico
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Yellow shoes thinking of Max Ernst
2007/2014
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Transe dois
1971-1979-1985-2013-2019
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Insect
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Autorretrato com fundo azul
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5963 - Sem título - Miguel Rio Branco
Sem título
2013
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14106 - Blue domino - Miguel Rio Branco
Blue domino
2016
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12638 - Maldicidade - Miguel Rio Branco
Maldicidade
1991-2012
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1651 - Laura e os pêssegos - Miguel Rio Branco
Laura e os pêssegos
dec.90
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5281 - Pink Towel on Black Sand
Pink Towel on Black Sand, Las Palmas
1997
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7256 - Unhas vermelhas - Miguel Rio Branco
Unhas vermelhas
2011/2014
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8938 - Backyard with a face - Miguel Rio Branco
Backyard with a face
Década de 70
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8939 - Bending down - Miguel Rio Branco
Bending down
Década de 70
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8940 - Down with a cane - Miguel Rio Branco
Down with a cane
Década de 70
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8941 - Empire distorted - Miguel Rio Branco
Empire distorted
Década de 70
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13080 - Baleias - Miguel Rio Branco
Baleias
1994/2021
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13079 - Saint Sebastian - Miguel Rio Branco
Saint Sebastian
1994/2021
Exhibitions
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