In her work, Sara Ramo creates a symbolic field mediated by context and intuitive knowledge. With polymorphic characteristics, her works address the coexistence of elements in supposed opposition, incorporating contradiction and diversity as part of vital experience. In her installations, strangeness and the ordinary are summoned to constantly exchange their positions, inviting the public to physically experience unique territories. The notion of collage and reinvention recurs in the artist’s repertoire, in which traces and debris that permeate material life are juxtaposed in a constant dialog between the intimate and the collective. In a movement of delicate and visceral metamorphic reorganization, Sara Ramo’s work expresses the invisible structures that sustain the world, its possible groupings, and the ways in which creative activity can manifest itself.

Ramo participated in the 13th Bienal de La Habana (2019); the 33rd and 29th editions of the Bienal de São Paulo (2018, 2010); 20th Bienal de Arte de la Paiz, Guatemala (2016); the 11th Sharjah Biennial (2013); the 9th and 6th editions of Mercosur Biennial (2013, 2007); and the 53rd Biennale di Venezia (2003). Her solo exhibitions include Atirando Pedras, Centro Internacional das Artes José de Guimarães, Portugal (2022); Os Ajudantes, Palácio das Artes, Belo Horizonte (2021); Armação do remoto ou deslembrança vertebrada, Centro de Arte Dos de Mayo, Madrid, Spain (2020); Cartas sobre a mesa, Museo de Arte de Zapopan, Mexico (2020); lindaviejalocabruja, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain (2019); La caída y otras formas de vida, Alcalá 31, Madrid, Spain (2019); and Para Marcela e as outras, Capela do Morumbi, São Paulo, Brazil (2017).

The artist was featured in several group exhibitions, such as Untitled (picture from paradise), Museo de Arte Contemporáneo de Monterrey – MARCO, Mexico (2025); H BOX, Calouste Gulbenkian Foundation, Lisbon, Portugal (2025); Nossa Senhora do Desejo, Almeida & Dale, São Paulo (2025); Chão da praça, Pinacoteca de São Paulo (2023); Intimidades Radicais, Instituto Tomie Ohtake, São Paulo (2022); and Arte y Arquitectura: un diálogo, Centro Botín, Santander, Spain (2020). Her work can be found in private and public collections, including: Centro de Arte Dos de Mayo – CA2M, Spain; Patrícia Phelps de Cisneros Collection, USA; Gilberto Chateaubriand Collection, Museu de Arte Moderna do Rio de Janeiro – MAM Rio, Brazil; Fondazione Cassa di Risparmio di Modena, Italy; Fonds régional d’art contemporain – FRAC, France; Instituto Inhotim, Brazil; Margulies Collection, USA; Museo Nacional Centro de Arte Reina Sofía, Spain; Pérez Art Museum – PAMM, USA; and Pinacoteca do Estado de São Paulo, Brazil.