Almeida & Dale brings to booths A01 and F07 at SP–Arte 2026 a selection of works spanning a century of artistic production, weaving dialogues between Brazilian and global art.

The presentation includes key artists from different phases of Brazilian modernism, such as Tarsila do Amaral, Vicente do Rego Monteiro, Alfredo Volpi and Eleonore Koch. A seminal work by Max Bill is another highlight, a major influence on the practice of Amilcar de Castro, a pioneer of the Concrete movement, who is also featured in the booth.

The painting of Philip Guston serves as a link between various artists whose practices maintain an experimental and insubmissive character, including Leonilson, Emmnuel Nassar, Rodrigo Andrade, Nuno Ramos, Victor Arruda and Maya Weishof.

Other media and debates in contemporary art are also foregrounded in the booth, which features works by Alex Červený, Alice Shintani, Ana Elisa Egreja, Beatrice Arraes, Carlos Garaicoa, Cassio Michalany, David Almeida, Dudi Maia Rosa, Elena Damiani, Felipe Cohen, Grada Kilomba, Guga Szabzon, Henrique Oliveira, Jaider Esbell, José Bento, José Damasceno, Joseca Yanomami, Lais Myrrha, Lidia Lisbôa, Mariana Palma, Marina Woisky, Marlene Almeida, Maxwell Alexandre, Miguel Rio Branco, Moffat Takadiwa, Nino Kapanadze, Nuno Ramos, Paulo Pasta, Peter Halley, Rayana Rayo, Rebeca Carapiá, Rodrigo Andrade, Saint Clair Cemin, Sara Ramo, Thiago Hattnher, Thiago Martins de Melo, Túlio Pinto, Vanderlei Lopes and Vivian Caccuri, among others.

By combining works from represented artists and its collection, Almeida & Dale offers a multifaceted artistic panorama that allows for a renewed understanding and reframing of Brazilian art history and its relationship with the rest of the world.